Sites are predominantly sculptures or objects added to, or a modifications of, existing structures. In addition to their spatial sculptural-aesthetic aims, these objects can also perform a certain architectural function, depending on the client's wishes—such as a gallery, staircase, space for a lecture, a pavilion for education or performative readings. Although they are sometimes more of a minor architectural sculpture, for me anyway, the immediate surroundings and cultural and social context are what is most important, and that is what I try to respect and identify for myself. Therefore, I describe these works as sites. Sites in the sense that they provide a framework for the meeting of as broad a circle of people as possible to fulfill their partial function. This chapter includes the greatest number of projects that will be further developed and will be executed, but also projects that will not be executed, but which, for their state of completion, I consider important enough to have included them in this publication. "Cells are something like spaces created in which to be yourself, to endure your own company without contact with the outside environment. From their interior, all one can see is the sky or the surface of the water. A person staying in the cell is thereby connected with the fundamental elements, but his or her material world consists solely of white walls, the ceiling and the floor itself. The only furniture is a 1/3 scale, built-in surface, usable for sleeping or as a table. Another one of the cells, hung in an interior from a skylight, did have a window with a view, but there wasn't anything much to look at. Generator at the Beijing CCC Art Museum is also the version of a cell placed in an interior and the only visual contact with the surroundings are the sand-blasted glass windows on its eastern and western sides, where natural light is present in the form of abstract light, whose color and intensity are continuously changing, thanks to the movement of the sun." With the Dwellings the method of use has not been defined, but the main role is played by their immediate environment. Two basic types were created in reaction to the context. One is for trees, supplemented with a version for the unique cactuses in the Sonora desert of Arizona, and the second for the interface between land and water. In contrast to the Cells, these Dwellings have the greatest possible number of all-glass walls oriented facing each other, to provide the greatest field of vision and the Dwellings themselves were, from a certain angle, see-through. Characteristic of them is that they usually do not have a level floor and that they are situated above the level of the terrain, without perimeter foundations.