I am a channel. Reaching across sound, writing, performance, video, and installation my artistic practice functions to translate personal experiences into new perspectives, new ways of thinking. Video installation and sound are used for their ephemeral potential to create multi-sensory experiences that emphasize the immaterial and the synesthetic. These mediums conjure sensations one could naturally associate with memories, emotions, or the surreal. Projection, audio samples and loops, or what I refer to as tools of perception, are employed to highlight the poetic potential of space. With photography, writing, and video I am primarily concerned with using them as archival devices. This stems from my own fractured sense of time and memories. Videos, text, images, and sound recordings are edited and translated in order to construct a system of reference points in the otherwise flowing, oozing space of memory and perception. The edit and subsequent translation is an attempt to materialize the grain and fabric of these spaces, to question what makes them up and what makes them important. My past is a blur in constant motion, a force I constantly have to navigate. The only way I can find myself being able to have grounding is to archive what I can and use that archive to layout reference points from which to build expressions.